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The Imagineering Movie Discussion Thread

TheOriginalTiki

Well-Known Member
Sirat is a really interesting movie with some very intense moments in it, but I can’t help but feel marketing it as essentially Climax in the desert was more than a little manipulative. Rave culture and how it's tied to spirituality is certainly the biggest theme of the movie, but the actual rave ends about 20 minutes in.

Still a great movie in its own right, I just strongly feel like I have to see it again with reset expectations. Huge shout out to Sergi Lopez. He's got a few moments in this thing that are absolutely devastating.
 

PerGron

Well-Known Member
Original Poster
#20- The Dreadful
The Dreadful.jpg

[Watched on VOD]

The title gets this one right...

I checked out The Dreadful mainly because it's the reuniting of Sophie Turner and Kit Harrington for the first time since the finale of Game of Thrones and I was kind of intrigued by what they'd do together. A lot of people criticizing this movie are criticizing that its a romance between them and they were "siblings" in the show but I don't think they actually shared a scene until season 6 so that part didn't bother me. What did bother me is how boring and slow this movie is. It's supposed to be this medieval horror mystery where a woman and her mother-in-law keep seeing this mysterious ghost horse and knight while waiting for their husband/son to return from the War of the Roses.

Unfortunately, any and all mystery included in here, especially once Kit Harrington's character arrives, becomes pretty trivial. It's this weird amalgamation of jealousy, for power, self-importance, etc. despite the fact they don't really dive into any of that. The kills here are all pretty lame and come out of nowhere from a character who doesn't really scream "main villain" until the end and by the time the big reveal happens I just got bored. There really is no reason to watch this because even if you're craving Game of Thrones content, we just got A Knight of the Seven Kingdoms season one which is phenomenal. Just watch that instead of this.

#19- Midwinter Break
Midwinter Break.jpg

[Watched in theaters]

The power went out in the theater halfway through this movie and they had to reboot all the movies and I was sitting in this when it happened and it restarted from the beginning and I had a panic attack before it adjusted itself because if I had to sit through this a second time, I may have just ended it then and there. This is a brutally slow and PAINFULLY boring movie about reflecting on life and choices that I just did not enjoy in the slightest. It's above the others because it's objectively a better made and acted film than anything below it, the acting especially is very good for what it's going for, but I truthfully couldn't ever sit through this again, it was a painful experience and very much not for me.

#18- The Huntsman
The Huntsman.jpg

[Watched on VOD]

More VOD slop that I probably would have skipped if I were a normal human being, but because apparently I hate myself, I checked it out. It's far from as bad as the last few because the plot is at minimum competent and it didn't bore me to tears, but it's an incredibly predictable crime thriller with an ending that is so telegraphed I felt like I should make a sports betting app just for predicting the outcome of movies because I'd be a millionaire by now. It's not the worst thing ever, but it's also absolutely not worth going out of your way for.

#17- Whistle
Whistle.jpg

[Watched in theaters]

I'm just gonna put my Letterboxd review here because I said it best there: https://boxd.it/d0nslV

#16- Wuthering Heights
Wuthering Heights.jpg

[Watched in theaters]

I fully intended on skipping this movie, I just knew it absolutely was not going to be for me, but stupidly I decided to reenter the dating scene and when I matched with a girl who saw I really loved movies, she decided this should be our first date... there will not be a second date.

I think this whole thing was just a massive mess from top to bottom. I genuinely hated both characters and was actively rooting against them which is not how I want to spend my time in a romantic tragedy. I didn't care about either of their happiness and wanted them exclusively to suffer for being such awful people. If you can get me, the biggest hopeless romantic on Earth, to root against a couple, you've done a miracle honestly. That said, at least the movie is well made, directed, and acted again. I've heard it's geared towards the female gaze and if that's the case, more power to 'em, but just very much not my thing.

#15- Psycho Killer
Psycho Killer.jpg

[Watched in theaters]

Psycho Killer saw Longlegs and decided "what if I did that but soooooo much worse?" That said, it's still kind of a blast in how absolutely ridiculous and stupid it is. James Preston Rogers is intimidating in his presence and voice, the kills here are pretty solid, but the whole third act devolves into pure insanity and I can't say I didn't enjoy it. It's not particularly good, but it's fun.

#14- Famous Last Words: Eric Dane
Famous Last Words- Eric Dane.jpg

[Watched on Netflix]

Rest in peace to a genuine legend, but this series is now two installments in and it's reinforced my belief that Brad Fulchuk is a horrible interviewer and if they ever make more of these, please please please pick anyone else.

#13- Scarlet
Scarlet.jpg

[Watched in theaters]

I watched this because the trailer was a part of the pre-trailers Noovie roll at my theater for months and after being subjected to it, I was at least curious how it would go. It looked like a pretty well animated fantasy revenge film, but that's not what it is, not really. This feels like a mix of Spirited Away, The Boy and the Heron, and some medieval fantasy which sounds great until you get to the scene where a whole modern day dude just shows up.

As someone who isn't an anime guy, I was not aware this is a whole trope of anime, but it absolutely took me out of what otherwise could've been a solid if not somewhat unremarkable revenge tale. Instead, this became a confused and overall pretty forgettable movie that didn't reveal itself in the trailer as much as it should have.

#12- Honey Bunch
Honey Bunch.jpg

[Watched on Shudder]

Shudder original that isn't overly terrible. It has some gross and skin crawling moments, but at almost two hours it goes on just a little bit too long and draws itself out way too much. I think a 90-minute cut of this movie could've actually been pretty solid. Not the worst watch ever, but not something I plan on ever revisiting.

#11- One Mile: Chapter One
One Mile- Chapter One.jpg

[Watched on VOD]

Kind of in the same vein, One Mile: Chapter One is a pretty solid "save the daughter" movie that features some good action, some good drama and tension, but is otherwise pretty standard and not all that memorable. It's a decent enough watch, it's pretty short, but it dropped on the same day as part two (which I didn't watch) which is never a good sign. It's fine, not something I'm rushing back to though.​
 

PerGron

Well-Known Member
Original Poster
#10- Cold Storage
Cold Storage.jpg

[Watched in theaters]

This was a pretty fun gore fest with some fun performances from Joe Keery and Georgina Campbell that doesn't take itself even the least bit seriously which is exactly what a movie like this needs to be. It is sloppy and gross and violent with a sense of goofiness and bizzareness that worked for me. Again, it's not something I likely will ever return to, but for this month, it's one of the more fun experiences I had.

#09- Dracula
Dracula.jpg

[Watched in theaters]

First off, I didn't really know if I should watch this as Luc Besson has been accused of SA by a few women and while acquitted in one of the cases, it still feels icky and especially where I refused to see Scream 7 based on the inappropriate firing of Melissa Barrera, it felt hypocritical to not boycott this. That said, it seems like the cases against Besson have been mostly dropped and so while I still can't say I'm gonna rush to see any of his movies assuming there has to be a reason for those accusations, the pull of a Dracula adaptation (one of my favorite classics) was irresistible unfortunately.

This is definitely a very different version of Dracula, focusing way more on a love story than on the vampiric elements and prince of darkness perspective. We follow Caleb Landry Jones as the forsaken Count Dracula who gave everything up for the love of his life but ultimately lost her and thus forsake God and became an immortal vampire. This still follows a lot of the familiar elements of the story like Dracula spreading his vampirism, him being infatuated with a living woman, a visit from a property salesman at his castle, a vampire hunter character, but it is done in a moderately unique way.

This is FAR from the best adaptation of Dracula, even a romantic take on Dracula, but it was fun enough and the performances were solid. Easily the worst element were the freaking Hunchback of Notre Dame gargoyles being present for whatever reason. Not something I'd rush to again, but a decent enough time at the movies.

#08- Crime 101
Crime 101.jpg

[Watched in theaters]

I like a good crime/heist movie and so Crime 101 was on my list of movies I wanted to check out. It being essentially Heat in 2026 was pretty alluring too, as was the star-studded cast featuring Chris Hemsworth, Mark Ruffalo, Halle Berry, Monica Barbaro, Nick Nolte, and Barry Keoghan. What wasn’t particularly alluring was the 2 hour 20 minute runtime and ultimately that’s the worst part of this movie.

Crime 101 is effective at building suspense but arguably more effective at killing that suspense by dragging it out to unbearable lengths. I think a 90-100 minute cut of this movie would be an absolute banger, but unfortunately the pacing here just drags and drags and drags through moments I wish we could’ve fast forwarded through. I think a lot of that comes from the sheer amount of intersecting plot lines.

You have Halle Berry’s plot line where she’s trying to advance in her insurance sales job and make partner, Ruffalo’s plot where he’s the detective on the case, Hemsworth has two plot lines, one professional criminal and one where he’s dating Monica Barbaro’s character and is very socially awkward, plus Barry Keoghan’s plot line where he’s attempting to hijack the robbery. There’s just so much going on here and I think some of it could’ve been cut down or cut out entirely. Honestly, Keoghan’s role is pretty minuscule and unnecessary until the very end of the movie, and Berry’s role is the opposite where she does a lot at the first half but falls off the second half. Then you throw in the fact Nick Nolte completely disappears after two scenes and never gets followed up with and Monica Barbaro doesn’t do much more herself. It’s like every draft that was put out for this movie ended up making it to the Final Cut rather than trimming some of it and it would’ve benefited from that fat trimming.

#07- Nirvanna the Band the Show the Movie
Nirvanna the Band the Show the Movie.jpg

[Watched in theaters]

I’ve not seen the web series this is a follow up to, it was a little before my time of being terminally online, I was still playing outside and having a social life in the late aughts (I was nine) so this definitely wasn’t on my radar. Still, I heard so many amazing things about this movie, I saw people listing it as their best of 2025 despite it only playing at some festivals, this thing really built up the hype for me, so when I finally was able to check it out over a year after first hearing buzz about it, I walked out with a resounding “yeah, that was fun.”

I will give the movie this: I genuinely don’t know how some of the things they achieved in this movie were done. Between the 2008 setting, the stunt work, and some of the public watching, this ended up being a pretty fun and creative experience. Yet, it harkens back to an era of comedies I don’t think are really a thing anymore because of how terribly annoying YouTubers got with it and that’s the Borat-style Mockumentary with unwitting members of the general public. Those, however, are easily the best moments of the movie. Where it kind of faltered for me was in the scripted stuff which just dragged on a bit too long and focused too much on the same problem over and over. For a movie that wears so proudly on its sleeve a reverence for Back to the Future, it definitely didn’t copy that movie’s tight writing or storytelling and meanders way more than is necessary.

#06- GOAT
GOAT.jpg

[Watched in theaters]

I definitely think that out of the most recent Sony Pictures Animation output, this is the weakest, it's far from a Spider-Verse, The Mitchells vs The Machines or even KPop Demon Hunters, but it's still a pretty effective and solid animated movie from a studio who not all that long ago released highlights like The Emoji Movie.

GOAT is very much a standard underdog story about a scrappy kid who comes from nothing and ends up becoming a professional athlete, but it takes that genre and gets to play with it in a pretty interesting and fun world. This feels like Zootopia's grittier and lived in cousin where allegory actually works because you see the disparity in the classes without it taking up too much focus in a lighthearted sports drama. The world is the highlight here, but the characters are fun too, especially the lead goat who is a likeable protagonist and the Komodo dragon played by Nick Kroll who is surprisingly funny and doesn't overstay his welcome the way I worried he would. Patton Oswalt's coach character is solid too as is Gabrielle Union's aging leopard player character.

The animation here uses the Spider-Verse frame rate that looks really solid in a sports movie too, and I'm pretty close to just calling the 2020s for Sony Animation the way Disney had the 90s and Pixar had the aughts because even if this and KPop Demon Hunters weren't my favorite things ever, this studio is undeniably cranking out solid and quality animation.

#05- Paul McCartney: Man on the Run
Paul McCartney- Man on the Run.jpg

[Watched on Prime Video]

A pretty interesting documentary about Paul McCartney's career post-Beatles that still, for whatever reason, is overstuffed with moments from The Beatles. It covers their breakup pretty in depth for the first half, then meanders as he did post breakup, then I guess eventually it goes somewhere. I can't say I ended up caring all that much because while I do respect the Beatles and Paul McCartney's output, I've never been a huge Wings fan and outside of his legacy, I've never really cared about Paul McCartney either.

I can see you getting more mileage from this if you are a huge superfan, but for me it's a well enough made documentary that does have interesting stuff in it, enough to make my top five of the month, but honestly I can see a world where this and GOAT swap places and either way neither will be near the top of my end of the year list.

#04- OBEX
OBEX.jpg

[Watched on VOD]

Close enough, welcome back David Lynch.

#03- I Don't Love You Anymore
I Don't Love You Anymore.jpg

[Watched on VOD]

This is a phenomenal little indie nothing movie with three performances that really carry the story. It follows a mystery about who shot a homeless man at a couple's home and why and it ends up unravelling in a way I did find pretty unique and engaging. Honestly, out of everything this month, this movie was my biggest surprise because it's short, snappy, and carries a lot of punch with it. It won't be super high on my end of the year list probably, but I can see a world where upon reflection this could overtake #2 or maybe even #1 for this month because I really did enjoy it.

#02- Good Luck, Have Fun, Don't Die
Good Luck, Have Fun, Don't Die.jpg

[Watched in theaters]

I'm glad Gore Verbinski is back, that's really exciting, and I'm glad he's making absolutely batsh*t insane anti-AI movies like this, we need more content about how AI is ruining our lives and our society. That said, this does feel kind of "old man yells at clouds" in its execution. It's a lot of "all technology bad" between Sam Rockwell's character and especially Haley Lu Richardson's character. The humor here, especially the humor involving school shootings, was also pretty cringe and while I'm not opposed to satirizing school shootings as a terrible thing that have just become a part of normal life, I don't think this movie did it with all that much tact.

There's elements here I loved, I think the opening scene in the diner is truly the best hook in a movie I've seen in a long time, but pretty much as soon as the group leaves the diner, my interest faded and by the third act when this insane sh*t starts happening and the CGI clusterf*** takes over, I was pretty much out.

There's stuff to love here and I think Verbinski still has it, but I came out of this one very much liking it, but not loving it the way I wanted to.

#01- How to Make a Killing
How to Make a Killing.jpg

[Watched in theaters]

This was another pretty big surprise. I saw a lot of middling reviews and I'm honestly not a huge fan of Glen Powell as a leading man, but I ended up really enjoying this movie. Like some of the others on the list, it's short and snappy which has kind of become the thing for me the beginning of this year as so many movies that have come out have felt longer than their runtimes, so when a movie can feel less, that's been really helpful. It's also just a very fun story of a dude taking out his extended family for an inheritance where you don't really feel bad because these people all suck.

There's also a romance in here I did like and of course it ends up with Powell's character being a liar and not able to maintain the relationship, a lot like last year's Roof Man, but the romantic scenes were good. Also, Margaret Qualley is in this and while she's probably the worst plot point in the movie, you will NEVER see me complain about anything Margaret Qualley related other than the fact she's already married and it's not to me.

Ultimately, this was just a really fun movie that I enjoyed every minute of, even if it won't end up very high on my end of year list just because it is this simple fun movie that we will move on from. I still do think it's a nice time at the movies and out of everything out right now, it's the one I'd recommend checking out.
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Well, March better be better than this slate, I NEED it to be. But what am I looking forward to?

This weekend we have two pretty big releases with The Bride! and Hoppers, both of which I have middling hopes for. I hope they're better than I'm expecting, I've heard good things but Pixar's recent original slate hasn't been the best and I don't love the Frankenstein but modern day angle the trailers have presented for The Bride! Still, I'm here for Jessie Buckley as she sweeps best actress. Also this weekend, it's a nothing documentary, but Werner Herzog's Ghost Elephants comes to Disney+ and Nat Geo which is pretty exciting for me personally.

Next weekend has next to nothing, but the 20th gives us two pretty highly anticipated movies for me with Project Hail Mary and Ready or Not 2: Here We Come, both of which I've heard very good things about. Then, the weekend after gives us They Will Kill You which looks like a Ready or Not rip-off so we're repeating the Immaculate/The First Omen thing from a few years ago of the exact same movie coming out a week apart. Then we also have Forbidden Fruits which looks like The Craft and stars Victoria Pedretti from The Haunting of Hill House so if nothing else this looks like a fun time.

Maybe there will be more surprises in there too, but that's what I'm for sure watching this month, plus, of course, a major double feature of The 98th Academy Awards and The Third Annual Golden Tikis BACK TO BACK on Sunday March 15th, so don't forget to tune in!
 

TheOriginalTiki

Well-Known Member
I'm already sooooo sick of the Project Hail Mary hype and it's not even out yet. Campea in particular has been INSUFFERABLE about how he's convinced it's basically going to be the second coming of Christ in movie form.

I low key did NOT like The Martian. This looks more interesting than that but I still generally find "space survival/isolation" movies pretty boring. It just starts to feel like the same basic beats over and over again after a while.

I also was trying to avoid the second trailer but was stuck in a row that had a guy who actively complained about having to move his feet out of the way when I went by him when I saw the Elvis concert thing, so that wasn't happening and now I feel like I know too much.

Looking at the March releases, is it just me or does this month look like...BARELY better than February. Next week the only major thing releasing is some trauma romance novel trash for example. I haven't seen The Bride yet but am really disappointed by the response it's been getting so far. It feels like Him all over again.

Are we just in for a bad movie year in general?
 

PerGron

Well-Known Member
Original Poster
I'm already sooooo sick of the Project Hail Mary hype and it's not even out yet. Campea in particular has been INSUFFERABLE about how he's convinced it's basically going to be the second coming of Christ in movie form.

I low key did NOT like The Martian. This looks more interesting than that but I still generally find "space survival/isolation" movies pretty boring. It just starts to feel like the same basic beats over and over again after a while.

I also was trying to avoid the second trailer but was stuck in a row that had a guy who actively complained about having to move his feet out of the way when I went by him when I saw the Elvis concert thing, so that wasn't happening and now I feel like I know too much.

Looking at the March releases, is it just me or does this month look like...BARELY better than February. Next week the only major thing releasing is some trauma romance novel trash for example. I haven't seen The Bride yet but am really disappointed by the response it's been getting so far. It feels like Him all over again.

Are we just in for a bad movie year in general?
I think we're just in those early three months. Looking back at last year's January-March everything was pretty buns too, it really wasn't until Sinners in mid-April it picked up and I expect that to be the case this year too.

As for Project Hail Mary, I do really like The Martian but honestly I have no idea what to even think about this. The first trailer did not hook me.
 

Pizza Moon

Well-Known Member
I'm already sooooo sick of the Project Hail Mary hype and it's not even out yet. Campea in particular has been INSUFFERABLE about how he's convinced it's basically going to be the second coming of Christ in movie form.

I low key did NOT like The Martian. This looks more interesting than that but I still generally find "space survival/isolation" movies pretty boring. It just starts to feel like the same basic beats over and over again after a while.

I also was trying to avoid the second trailer but was stuck in a row that had a guy who actively complained about having to move his feet out of the way when I went by him when I saw the Elvis concert thing, so that wasn't happening and now I feel like I know too much.

Looking at the March releases, is it just me or does this month look like...BARELY better than February. Next week the only major thing releasing is some trauma romance novel trash for example. I haven't seen The Bride yet but am really disappointed by the response it's been getting so far. It feels like Him all over again.

Are we just in for a bad movie year in general?
Can’t be worse than last year.
 

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