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The Imagineering Movie Discussion Thread

PerGron

Well-Known Member
Original Poster
Oh dear God, this week's new release lineup sends a cold shiver down my spine
-Angel Studios romantic comedy starring Kevin James
-Random low budget kiddie animated movie I've never heard of
-The freaking Strangers Chapter 3 (god can't this franchise just die already...)


On a brighter note, while I wouldn't call Arco exact one for one genderfluid "representation", there was sure a hell of a lot of genderfluid subtext I was picking up on which felt very validating :) 🥰 Beautiful little movie, the ending is a god damn gut punch. My only minor criticism is that it wore its Ghibli influences a bit too much on its sleeve, specifically with the music cues.

Don't forget famed accused rapist Luc Besson's new take on Dracula
 

PerGron

Well-Known Member
Original Poster
#10- The Rip
The Rip.jpg

[Watched on Netflix]

I watched this just before watching Drake Maye take my New England Patriots to the Super Bowl, so needless to say the combo of Pats headed to the Bowl and watching my beautiful Boston boys Matt Damon and Ben Affleck together in a movie really plussed up this experience for me.

The Rip is a surprisingly fun cop drama that features conspiracies, corruption, and the best bromance currently in cinema and I found it all worked really well. It’s a Netflix movie so it’s kind of a “you get what you pay for” type of experience and I honestly don’t know that it would’ve been as enjoyable in the theater which I always hate saying, but some movies really do benefit from being streaming and as a streaming movie, I liked this one a lot.

#09- Cheetahs Up Close with Bertie Gregory
Cheetahs Up Close with Bertie Gregory.jpg

[Watched on Disney+]

Obligatory nature documentary here, I’ve said before that I’m a fan of Bertie Gregory’s work, I think he the best iteration of a modern Steve Irwin when it comes to television wildlife education. His use of technology as opposed to a hands on approach is commendable and he’s still very much able to capture great footage and connect the audience with the amazing animals he’s showcasing.

Cheetahs Up Close is a big step up from Dolphins Up Close and Sharks Up Close for the simple reason that it’s a hell of a lot easier to follow animals on land than it is in the water. This lets us return to a couple different groups of cheetahs periodically in a similar way that other nature documentaries do. It allows us to actually follow these cheetahs and see how they live their lives more than those other two docs did.

Either way though, I do recommend checking out all three of these docs and I anticipate any more that Bertie Gregory dishes out in the near future.

#08- Send Help
Send Help.jpg

[Watched in theaters]

Sam Raimi’s return to horror has been something I’ve been eagerly anticipating for a while and like Tiki, I’m pretty sure this is the first time I’ve ever seen a Sam Raimi horror film on the big screen when it comes out. I’ve seen re-releases of Evil Dead 2 (my personal favorite horror film) many times, but this was the first time I’ve gotten to see a new Raimi horror on the big screen and that was exciting.

This movie gets to be a ton of fun in that classic Raimi style blending gross goopy gore with genuinely hilarious moments. Now, I won’t lie, a bit too much of this ends up being more of a rom-com than a horror before its horror turn at the end of the movie, but when you have the leads of Rachel McAdams and Dylan O’Brien, I don’t blame them for going that route.

McAdams is a star, but we’ve been knowing that. She’s Regina f*cking George for crying out loud, but Dylan O’Brien is quickly rising in the ranks of young new coming white boy stars. He’s up there for me with people like Austin Butler, Timothée Chalamet, Jacob Elordi, Barry Keoghan, Josh O’Connor and Joseph Quinn where I truly believe they’re the 90s guys who will end up leading Hollywood into the future. These two leads together have excellent chemistry and I fully believed them in their roles (though you’ll never convince me that Rachel McAdams is unattractive, no matter how much tuna you smear on her lips) and when you go from the survival stuff to the third act craziness, it worked for me.

Ultimately I do agree, it’s a great January horror that I I’ll end up somewhere in the middle of my list by the end of the year, but high up there for January.

#07- Is This Thing On?
Is This Thing On.jpg

[Watched in theaters]

I think this is my favorite of Bradley Cooper’s three movies though I do think A Star Is Born is a better movie overall. I just really enjoyed the dynamics at play here and I’ve always loved Will Arnett so I’m happy to see him be the lead here.

I did really enjoyed the story at hand with he and Laura Dern, but I do wish we had gotten more of the comedy honestly. I know Tiki has much more insight into that world and maybe it wasn’t entirely accurate to how well he’d be doing, but the little bit of suspension of disbelief I levied at the movie let me really enjoy him building these new friendships and growing as a person through the comedy and I do wish we had gotten more of that and less of Bradley Cooper’s weird little creep character he has going on. It’s a solid movie, I gave it 3.5/5 and I do think it’s worth checking out.

#a06- Disneyland Handcrafted
Disneyland Handcrafted.jpg

[Watched on Disney+]

I, like most of us on here, have probably seen a million and a half specials and documentaries about the opening of Disneyland to the point that I didn’t expect anything new out of this. After checking it out though, I’d say a good 85% of this is new between new archival footage or audio recordings and it gives you way more of an intimate look at the less than a year they had to build this thing.

A lot of the interview moments were with famed imagineers and people working on the park, but most of the footage was of the every day construction workers and landscapers and artists who actually did the building of the park and that was really cool to see. There are these intimate moments of people just goofing off at work like a dude in a big excavator picking an orange off a tree, or a bunch of guys racing these huge machines up a big dirt hill, it just made it feel so much more real.

I think a lot of us on these boards would really enjoy this one and if you haven’t already checked it out, I recommend it. It’s a well put together doc with some great insight into the park construction.

#05- Dead Man's Wire
Dead Man's Wire.jpg

[Watched in theaters]

Want a movie that I had zero expectations for? Here you go. I knew NOTHING about this movie besides Bill Skarsgård is in it and that’s about it. I figured he was probably doing a crime just looking at the weird box he’s carrying around, but beyond that, I knew nothing. It ended up being a really solid crime thriller that absolutely creates this fantastic ticking clock effect that ups the cortisol and makes you wonder where things are going to lead.

The craziest part is the movie makes you just straight up side with Skarsgård despite the fact he’s the one doing the crime because it’s against a private equity firm and f*** private equity. This movie is like the enviable future Luigi Mangione movie where the takeaway will absolutely end up being “yeah, but he did nothing wrong.” I really recommend this one, it was a very nice surprise.

#04- Vampire Zombies... from Space!
Vampire Zombies... from Space!.jpg

[Watched on VOD]

If you’ve ever seen stuff like Plan 9 From Outer Space or any of the other things showcased at Sci-Fi Dine-In Theater at Hollywood Studios, then this is exactly one of those. It’s this insanely campy and fun black and white zombie alien vampire movie where a small town is invaded by Dracula, his 50s greaser son, and their legion of alien space vampires. The best part is it’s fully in on the joke too. It’s not like one of those movies that tries too hard to be funny, this one is funny just by embracing the genre it’s playing in. It’s a lot like a Mel Brooks movie in that way.

I really don’t want to give anything away, but I think on rewatch this could climb even higher for me and I wouldn’t be surprised if this is this year’s Hundreds of Beavers except with less cult following. Highly recommend.

#03- No Other Choice
No Other Choice.jpg

[Watched in theaters]

It’s a crime Park Chan Wook is so hated by the Academy Awards because what do you mean this missed out on best international feature??

This is a super fun black comedy about a guy going to extreme lengths to make sure he gets a job by eliminating his competition. That alone is funny and also dark and it really works in Chan-Wook’s style. My biggest issue here is that it does kind of drag a bit in the middle where it focuses so much on one particular guy, but by the end of the movie it all wraps up so beautifully that I can’t not recommend checking it out.

#02- Arco
Arco.jpg

[Watched in theaters]

I already said it but this was such a highlight of the month for me. I didn’t know anything about it going into it and kind of expected some kind of superhero movie just based on the poster. It is not that, instead it’s a super endearing and sweet coming of age story about two friends from different times who bond over trying to get one of them home. Then you add in three eccentric conspiracy theorist brothers who you fully expect to be the villains and they just end up actually being super redeemable and really empathetic themselves (they’re also voiced in the English dub by Flea, Will Ferrell and Andy Samberg and I loved all three of them in this role).

The ending to this movie genuinely got me to tear up and I’m hoping (though I know it won’t) for a Flow or Boy and the Heron style upset where this beats out KPop Demon Hunters and Zootopia 2 to take home the Oscar. This is such a sweet and endearing movie and I highly highly recommend it. Yes, it does wear its Ghibli influences on its sleeve, I’ll give you that, but man did I end up loving this movie.

#01- 28 Years Later: The Bone Temple
28 Years Later- The Bone Temple.jpg

[Watched in theaters]

I liked 28 Years Later, but I didn’t love it the way I wanted to. I think the experimental direction with the filmmaking, while intriguing, ended up detracting from the story at hand. That absolutely gets resolved in The Bone Temple.

This movie takes the absolute best part of the first (third?) film in Ralph Fiennes and his connection to the alpha infected and expands on it making him arguably the co-lead of this movie. Then it takes the Jimmy Cristal cult, something that felt like whiplash at the end of that movie, and expands it into this sick and depraved dark cult led by Jack O’Connell in an even more sick and depraved role than Sinners. I’ve seen people say they hope he doesn’t start getting typecast, but if he wants to just keep playing sick little freaks (one level up from weird little creeps) then I’m all for it.

This takes the elements I liked the most from 28 Years Later and expands on them while also being a rip rollicking zombie movie, fun horror, and having the single best needle drop in a film literally ever (good luck topping it 2026). I cannot believe this is a January movie, it’s that good.
——————————————————————————

Well, now we’re into February and as Tiki alluded to, this weekend is a doozie. I may just stay home honestly because what the actual f*** is going on this weekend.

That said, February does have some movies I’m intrigued about though not many I’m truly excited for.

Goat looks interesting and if nothing else the animation style employed by Sony is really good looking and so I at least expect it to look good on the big screen. Good Luck, Have Fun, Don’t Die is one of the movies I am genuinely very excited for, I’ve heard nothing but good things and it’s very exciting to see Gore Verbinski return to filmmaking. I’m stoked for Wuthering Heights solely so I never have to see that trailer again. Nirvana the Band the Show the Movie is one I’ve been hearing about since last year and I’m excited is finally getting released. Finally, Psycho Killer looks interesting at least.

Scream 7 also comes out this month but due to their unjust firing of Melissa Barrera for her stance on Israel’s genocide in Palestine, I will not be watching the movie in theaters. I’ll sail the seas to watch it if and when I do, which sucks because I really love that franchise, but morals come first.

If none of this sounds good to you (fair) then check out Splitsville which is coming to Hulu this month or Eternity coming to Apple TV+ because both of those are some of the best of last year.
 

TheOriginalTiki

Well-Known Member
I think we need to bring back the "Absolute dog sh*t distribution" because holy hell does Sirat deserve it. I'm honestly infuriated. It's not even playing in San Francisco. The closest place it's playing to me I'd have to take three buses and a train to get to. This is just pure ego on the part of the distributors. Just put the damn thing online already if you're only going to have it in a tiny handful of theaters.

Whatever, I guess I just don't deserve to see it because I can't drive.
 

AceAstro

Well-Known Member
I think we need to bring back the "Absolute dog sh*t distribution" because holy hell does Sirat deserve it. I'm honestly infuriated. It's not even playing in San Francisco. The closest place it's playing to me I'd have to take three buses and a train to get to. This is just pure ego on the part of the distributors. Just put the damn thing online already if you're only going to have it in a tiny handful of theaters.

Whatever, I guess I just don't deserve to see it because I can't drive.
I feel you there. Unless we get a last minute change, my closest screening is a 12 hour drive. Really frustrating to get excited by a movie and then just not get showtimes
 

PerGron

Well-Known Member
Original Poster
I think we need to bring back the "Absolute dog sh*t distribution" because holy hell does Sirat deserve it. I'm honestly infuriated. It's not even playing in San Francisco. The closest place it's playing to me I'd have to take three buses and a train to get to. This is just pure ego on the part of the distributors. Just put the damn thing online already if you're only going to have it in a tiny handful of theaters.

Whatever, I guess I just don't deserve to see it because I can't drive.
I also have no showings anywhere near me. Even Boston has nothing, my closest is 6 hours away in NYC
 

PerGron

Well-Known Member
Original Poster
Genuinely conveyed nothing about the film. I’ve really got no confidence in this movie (or Star Wars in general, really)
Now that Filoni is in charge, I feel the same way. Kathleen Kennedy may not have been the best president ever, but at least she approved some interesting and unique projects like Andor, Skeleton Crew, Solo, Rogue One, and The Acolyte. They may have all had various levels of goodness, but nobody can say it’s not at least an interesting slate of projects. With Filoni I fear it’ll exclusively be Filoniverse garbage
 

Lizzy May Bee

Well-Known Member
Now that Filoni is in charge, I feel the same way. Kathleen Kennedy may not have been the best president ever, but at least she approved some interesting and unique projects like Andor, Skeleton Crew, Solo, Rogue One, and The Acolyte. They may have all had various levels of goodness, but nobody can say it’s not at least an interesting slate of projects. With Filoni I fear it’ll exclusively be Filoniverse garbage
Yeah, much worse for an IP to be homogeneous and boring than weird and bad imo, and I think Star Wars is really sinking into the former at this point
 

TheOriginalTiki

Well-Known Member
I'm becoming more and more convinced Neon thinks Sirat is like...the Ark of the Covenant or something and isn't meant to be viewed by mere mortals. This is RIDICULOUS. By the time it comes out the Oscar conversation will be so dead that I literally won't even care. Neon is shooting themselves in the foot big time with this and it's infuriating. I can't even pirate the damn thing because none of the copies I've found have English subtitles.

Meanwhile, the (bleep)ing Testament of Ann Lee is going on its SIXTH week screening at my art house theater.
 

PerGron

Well-Known Member
Original Poster
I'm becoming more and more convinced Neon thinks Sirat is like...the Ark of the Covenant or something and isn't meant to be viewed by mere mortals. This is RIDICULOUS. By the time it comes out the Oscar conversation will be so dead that I literally won't even care. Neon is shooting themselves in the foot big time with this and it's infuriating. I can't even pirate the damn thing because none of the copies I've found have English subtitles.

Meanwhile, the (bleep)ing Testament of Ann Lee is going on its SIXTH week screening at my art house theater.
Didn’t realize Sirat was a successor to Sing Sing until now
 

TheOriginalTiki

Well-Known Member
Didn’t realize Sirat was a successor to Sing Sing until now
Except unlike Sing Sing because I don't really respond well to prison movies as a form of escapism, "drug fueled surrealist spiritual nightmare" is pretty much as close to the textbook definition of "My Taste" as you can get. Not being able to see it is killing me regardless of Oscar hype. The fact that the guy who played Captain Vidal in Pan's Labyrinth is the main character just further fuels the "damn it, I need to see this NOW" factor.
 

PerGron

Well-Known Member
Original Poster
I’m worried about this month because I saw Nirvanna the Band the Show the Movie and Good Luck, Have Fun, Don’t Die and while I liked both of them, I really didn’t LOVE either of them the way I had hoped to. Maybe a rewatch is warranted but I feel like I’m being left out of a group of people who saw something different than what I saw
 

TheOriginalTiki

Well-Known Member
I’m worried about this month because I saw Nirvanna the Band the Show the Movie and Good Luck, Have Fun, Don’t Die and while I liked both of them, I really didn’t LOVE either of them the way I had hoped to. Maybe a rewatch is warranted but I feel like I’m being left out of a group of people who saw something different than what I saw
Naw, I was very much in the "liked, didn't love" category with Good Luck, especially on further reflection. It took some big swings and I appreciate how original it is, but the humor was very cringe for me and the themes literally beat you over the head.
 

PerGron

Well-Known Member
Original Poster
February is over, the shortest month of the year and yet the sheer amount of mid-a** movies this month made it feel longer than January. Normally Dumpuary is the month of bad movies, but I think that's changed in the last few years to let February have its chance to just suck.

I managed twenty three new releases this month and I can say with the utmost certainty that not a single one of these movies has even a remote shot at being in my top twenty at the end of the year unless the rest of the year is an utter flop. There were a few movies I thought were good but nothing I found great, remarkable or even particularly memorable, and the ones that were memorable are for the wrong reasons. February ultimately just felt like a waste of a month movie-wise. I got more mileage out of the Super Bowl than I did this month's movies.

I really only missed this weekend's releases because 1. I'm not watching Scream 7 out of principal for their unjust firing of Melissa Barrera, 2. I don't really care about Elvis, 3. That's literally everything my theater got this weekend. So yeah, a few notable misses, but otherwise, here we go.
---------------------------------------------------------------------------------------------------------------------------------------

#23- The Strangers: Chapter 3
The Strangers- Chapter 3.jpg

[Watched in theaters]

It's over, it's finally over...

What an absolute dumpster fire of a trilogy, I genuinely don't understand how or why this was approved to be three individual movies when it clearly should've been one (though I'd argue it would've been best as zero). This one sees the culmination of The Strangers and finally reveals who they are and... remember the creepy guy from the second movie who is so explicitly hinted at being the scarecrow that you thought "this has to be a red herring, there's no way they'd make it this obvious." well yeah, he's the scarecrow.

This movie then drags you around unwillingly by the hair as you get dirt and scratches everywhere which are immensely more enjoyable than the movie you're sitting through. I feel for Madeleine Petsch because if she wanted to be a serious actor, those hopes are absolutely dashed now because there's no way to recover from this horrible mess. If the first installment was just a remake of the original The Strangers and the second movie was filler and an homage to The Revenant for whatever reason, this is the culmination that is entirely and perfectly in line with what we deserve for spending six hours in this world across the three films. Absolute garbage and it made me so mad when I walked out.

#22- Buffalo Kids

Buffalo Kids.jpg

[Watched in theaters]

I was babysitting my niece on her school break and I said we can go to the movies, I showed her a few movies in the theater including Zootopia 2 (which she's already seen), GOAT, Avatar 3, but she for whatever reason chose this, but that's kids for ya.

Buffalo Kids is the type of straight to DVD animated movie you've never heard of but was on the endcap at Walmart in 2007 as a "Walmart Exclusive" and still nobody ever watched it outside of kids in like a dirty crack house or whatever. It's cheap animation, has a very basic story that doesn't care about any form or amount of logic, and just throws things on screen to throw them on. We have a wild west movie where Irish immigrant children to the United States partner with a black conductor, a kid with cerebral palsy, and a group of Native Americans alongside the US army who all work together to take down some cowboy miners, and the disabled white orphan kid connects with a native American buffalo spirit to save the day.

This movie is just odd, all over the place, and completely asinine. I can't say I expected a wild west movie for kids to tackle institutional racism or anti-Irish sentiment in the mid-1800s, nor the post-Civil War effect on Indigenous Americans and the multiple conflicts with westward expansion, nor the decimation of the American bison to make way for the Transcontinental Railroad, but all of those things are ACTIVELY IGNORED despite the fact the indigenous, Irish, recently freed free black Americans, US army, railroad, and bison are all huge parts of the story. It just feels whitewashing and disingenuous when we KNOW animated family movies can tackle these topics with at least a small amount of tact with things like Spirit: Stallion of the Cimmaron as an example. This movie feels like they wanted some random feel good western story with all the elements of what made westward expansion an interesting point in history, but didn't want to at all dig into those and just feels like whitewashing. Absolutely a massive skip. Plus, apparently the 1800s barely settled wild west was fully ADA compliant because this kid with Cerebral Palsy gets along totally fine. I don't mind representation but it made no sense here.

#21- The Morrigan
The Morrigan.jpg

[Watched on VOD]

Ugh, straight to VOD horror slop. This was the first February movie I watched and this month has felt so long I genuinely don't think I could tell you anything about the plot other than its Celtic folklore where some people awaken an old Celtic witch queen. It's forgettable, boring, and not at all worth your time. Skip.​
 

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