We're going to ignore the giant guitar headstock and limo hanging over it?
The limo doesn't stand out from Sunset Boulevard because it's dark and overshadowed by the thematically/aesthetically fitting arch. And this was not an accident - it was a careful design decision, so that the structure is not distracting or disruptive from a distance, yet eye-catching upon approach (when you're walking from Sunset Boulevard towards it).
If the front (grill) of the car were brightly colored (which I fear is a change they might make) or the archway were, say, futuristic, one's eye could more easily be drawn there when approaching Tower of Terror, and one would more likely be pulled out of Tower of Terror's story.
Much of what sets Disney apart is this level of thoughtful design in so many places, regardless of how often people consciously notice and appreciate it.
Is that what you notice first?
I think the point is no matter what they attempted to make it fit in the area; it never really has. It still won't, but in my personal opinion it's not a problem. It's never bothered me regardless of the design language as I feel the distance off sunset is enough to offset the drastic difference in design.
It is what you
see first, but most will
not notice it when walking down Sunset Boulevard to the Tower of Terror, because the art deco design blends in - which is the point.
I agree about the value of RnRC's distance off Sunset Boulevard. As mentioned in my original post about this, that is part of the good design: the archway is both set back and not visually clashing, while the building itself (which
would be visually clashing if it were closer) is further back, past the initially-visible archway.
I think we're basically in agreement, but we're just emphasizing two different aspects (the importance of the distance from Sunset Boulevard, and the further mitigating factor of the archway not drawing too much attention to itself from a distance due to its form and color scheme not disastrously clashing with Sunset Boulevard).