JMcMahonEsq
Well-Known Member
So what is your point?It is related, it shows (regardless of who's investing) that they are willing to take on more imagineering projects and take focus off of already built spaces that are falling behind in more ways than one, than focusing on them beforehand. Remember how many Imagineers were lost and let go through Chapek, COVID and the fake-out move to Lake Nona and never rehired? They're stretched thin already with the ever-present projects in Tokyo and all of Disneyland forward, it 100% takes people away from focusing on WDW projects, which always seem to be bottom of the barrel to begin with. WDW's most recent "big debut attractions" were a reimagined ride that shared creative costs with Disneyland, a copy of a ride from Shanghai and a big metal box in Epcot that reused a building (that somehow is rumored to be the most expensive coaster ever built which seems like a waste to me). WDW still does not see the unique creative investment that any of the other parks around the world do. Of course, tropical americas and Cars and monsters inc and Villains are in the works but I'm not going to sit here and act like we've been receiving groundbreaking stuff here in WDW up to this point.
That Disney shouldn't do anything new? That Disney shouldn't expand? That given a potential 10B spend, that Disney can't hire new imagineers if the work warrants it? If only there might be some people that have ride/land design experience that might be coming off a big project that has just finished up and might be looking for new work?