I really liked it..,. Reminded me of old school summer blockbusters…I thought Brad Pitt was fantastic in the roleNot really thread for it, but how did you like F1?
I really liked it..,. Reminded me of old school summer blockbusters…I thought Brad Pitt was fantastic in the roleNot really thread for it, but how did you like F1?
Me too, I saw it twice once in ScreenX and once in IMAX.I really liked it..,. Reminded me of old school summer blockbusters…I thought Brad Pitt was fantastic in the role
I had the thought that it might be perfect for Screenx….we have one about a 45 minute driveMe too, I saw it twice once in ScreenX and once in IMAX.
Pixar’s competitive advantage is melding technological innovations with air-right storytelling, coupled with a managerial/creative brain trust that tweaks and fine tunes the story. This is how Toy Story 2 was salvaged. I submit that Pixar’s competitive advantage does not lie with mollifying disgruntled employees that react petulantly when someone as talented and accomplished as Pete Docter (the COO of the subsidiary) offers notes.Sure they can, but that's eliminating Pixar's competitive advantage. If this is a sign of Pixar's future then they will be a shell of their former self, with only sequels to movies created during their golden years having tremendous success.
Problem is we haven't had that air-tight storytelling since Coco. The brain trust was getting priorities from Disney execs.Pixar’s competitive advantage is melding technological innovations with air-right storytelling, coupled with a managerial/creative brain trust that tweaks and fine tunes the story. This is how Toy Story 2 was salvaged. I submit that Pixar’s competitive advantage does not lie with mollifying disgruntled employees that react petulantly when someone as talented and accomplished as Pete Docter (the COO of the subsidiary) offers notes.
Like Zootopia 2 and Frozen 3. Does Disney Feature Animation even have an original movie in the pipeline?I guess it’s sequels forever.![]()
Since Coco, we’ve had:Problem is we haven't had that air-tight storytelling since Coco. The brain trust was getting priorities from Disney execs.
They presently have an “unannounced” film to be released in Nov ‘26. Not sure if that’s still accurate but they did announce this as part of a slate in 2023.Like Zootopia 2 and Frozen 3. Does Disney Feature Animation even have an original movie in the pipeline?
Yes, but I don’t know what it’s called yet.Like Zootopia 2 and Frozen 3. Does Disney Feature Animation even have an original movie in the pipeline?
Maybe you'd want to see what Lasseter has been up to in order to understand why Disney doesn't want to see what Lasseter has been up to.Maybe they should see what Lasseter is up to?
Maybe you'd want to see what Lasseter has been up to in order to understand why Disney doesn't want to see what Lasseter has been up to.
He's Apple's property.Maybe you'd want to see what Lasseter has been up to in order to understand why Disney doesn't want to see what Lasseter has been up to.
Zootopia 2 and Frozen 3 will make bank but will feel unsatisfying and hollow kind of like Inside Out 2 did days after viewing.Yes
Yes, but I don’t know what it’s called yet.
Pixar’s competitive advantage is melding technological innovations with air-right storytelling, coupled with a managerial/creative brain trust that tweaks and fine tunes the story. This is how Toy Story 2 was salvaged. I submit that Pixar’s competitive advantage does not lie with mollifying disgruntled employees that react petulantly when someone as talented and accomplished as Pete Docter (the COO of the subsidiary) offers notes.
He's actually head of Skydance Animation, now joined with Paramount Animation post-merger.He's Apple's property.
Spellbound - Let's make a fantasy kids movie about divorce staring Rachel Zegler.
Wondla - a woman tries to find her place in the world with her robot mom.
Luck - the struggle between Luck and Misfortune
and a couple of shorts.
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