MK Stitch's Great Escape Replacement— Don’t Hold Your Breath

DisneyRoy

Well-Known Member
I just wish they would stop making live-action remakes....
There are so many better ideas out there... Everything doesn't have to be a sequel or a remake in another format...
they could start doing the reverse next and start doing more animation versions of their live action films...
they could start with 20000 Leagues but build SEA into the storyline....Which could then be a full franchise... Using SEA as the mechanism to tell multiple adventure stories.....Then a thriller about Harrison Hightower III..... A story about Lord Henry Mystic and Albert... and on...
They need to do an animation film about Sinbad and they already have style points and a theme song they could lift from the attraction in Tokyo....
I agree with you 1000% and would love to see those ideas come to fruition. The problem becomes that people have not exactly been paying to go see original story movies lately. Remakes. Sequels. Horror. Seems to be the current money making themes.
 

HauntedPirate

Park nostalgist
Premium Member
I agree with you 1000% and would love to see those ideas come to fruition. The problem becomes that people have not exactly been paying to go see original story movies lately. Remakes. Sequels. Horror. Seems to be the current money making themes.

Iger came down a mutated strain of Sequelitis about 10 or so years ago. Hasn't been able to shake it.
 

MisterPenguin

President of Animal Kingdom
Premium Member
Iger came down a mutated strain of Sequelitis about 10 or so years ago. Hasn't been able to shake it.
As to Disney's defense: Franchise films make more money. The public votes on that with their money.

As to Disney's indictment: Disney's live-action studios' films that weren't based on a franchise were generally awful.

As to Disney's defense: they finally stopped making franchise-less bombs by just simply not making franchise-less movies altogether. Disney is letting 20th Century and Searchlight do the heavy lifting now of franchise-less movies.

As to Disney's indictment: Even 20th C. films are sometimes franchised, e.g., Apes and Predator.
 

Rhinocerous

Premium Member
The thing that makes this inevitable box office success sting more is that Snow White bombed so spectacularly that Disney cancelled the Tangled remake and said they were reconsidering others, and if Stitch bombed it would’ve slayed the live action remake beast for good. But since Stitch is like crack to millennials and moms, it’s gonna do well and we’ll be stuck with more remakes until audiences stop taking the dangling carrot.
Not just them. My fourteen year old daughter inexplicably loves Stitch. I'm not sure if she's even seen Lilo & Stitch.
 

DisneyHead123

Well-Known Member
Not just them. My fourteen year old daughter inexplicably loves Stitch. I'm not sure if she's even seen Lilo & Stitch.

I think Stitch lights up the same portion of the brain as YouTube cat videos, lol. He seems like exactly what would happen if cats had speech and opposable thumbs. I’m not big on live action remakes but I find myself looking up the trailers for this one.
 

Charlie The Chatbox Ghost

Well-Known Member
Although unlikely, I'm kinda hoping Cosmic Ray's goes Supers-themed. Same for Speedway, which would be incredibly easy to overlay. :groan: Being closer to Fantasyland and away from most of the space-themed attractions, it's the perfect opportunity to create a new sub-land within Tomorrowland. I feel like the Mod '60s stylizing would work well. The restaurant is nearly there already. Perhaps not the best use of the IP, but between a subtle retheme of the quick service, plus the Speedway overhaul, and just enough space for a dedicated M&G, they could really make something of the area.

FWIW, I feel like Sonny needs to go anyway to give Cosmic Ray's needed dining space. Sorry, Sonny! I guess the counter argument would be by putting Stitch there, the IP would bookend Tomorrowland with another space-themed attraction keeping the land's themes more unified.
If we want to give Cosmic Rays more space AND save Sonny, you could take some unused space like the abandoned sponsor lounge by Space Mountain and turn it into a cocktail jazz lounge (a Space Bar?) and have Sonny do his show there- less expectation of needing large amounts of seating, and Disney can make more of their sweet sweet alcohol money.
 

Charlie The Chatbox Ghost

Well-Known Member
Synergy? Timing? Destination D will be taking place in Orlando this time... and piggybacking off the streaming release of Lilo and Stitch on Disney+... and Destination D23 occasional drops a surprise attraction announcement. The most notable examples being the Pirate Tavern addition and Country Bears.

Combined with a heavy dose of fan speculation that Tomorrowland will eventually be updated, the stars might be aligning for some type of announcement at this event. Though, it's also just as likely that Disney will deliver us a big Cosmic Ray's nothingburger. We'll see.
The Hatbox Ghost in Florida was the same year as these two! I always liked that they announced news for the Marc Davis trifecta all at the same time- and then at the least D23 they gave those same three attractions spotlight music numbers with animation!

(the Country Bears are still the least respected of the three by Disney, especially after seeing Tapestry of Happiness, but I digress)
 

ᗩLᘿᑕ ֊ᗩζᗩᗰ

Hᴏᴜsᴇ ᴏʄ  Mᴀɢɪᴄ
Premium Member
If we want to give Cosmic Rays more space AND save Sonny, you could take some unused space like the abandoned sponsor lounge by Space Mountain and turn it into a cocktail jazz lounge (a Space Bar?) and have Sonny do his show there- less expectation of needing large amounts of seating, and Disney can make more of their sweet sweet alcohol money.
That's genius!
 

Charlie The Chatbox Ghost

Well-Known Member
By "supers Themed" do you mean Incredibles? That would fit the aesthetic... and could work nicely...but a slow gas powered 20th century speedway would never fir The Incredibles and no longer fits the idea of Tomorrowland in any way...Maybe something all new in the space themed to The Incredibles... Redo the Ice Cream place to A'La Mode and theme it to Edna Mode... Sonny Eclipse is not original to the park, and I would be up for replacing him with something better....but not removed for more seating... it would not add enough to make it worthwhile, and the entertainment aspect of something in that dining room would be a major loss.
What are you talking about? Sonny was made for Magic Kingdom and has only ever been here. His face mold was reused for a different animatronic in Tokyo, but Sonny himself has only ever existed in the Magic Kingdom.
 

Charlie The Chatbox Ghost

Well-Known Member
I feel Cosmic Ray’s is only surviving from the mere fact that Sonny Eclipse is really popular.

Also Disney not knowing really what to do with Tomorrowland helps.

At least ours is in half decent shape compared to DL’s with its forever entrance concept art. 🤣
I've always wondered why they don't merchandize the original characters more. Every time they drop some park-original character merch it sells out. A Sonny Eclipse t-shirt or plush would sell incredibly quickly because there is SUCH a demand for anything unique to the parks. The Country Bear Musical Jamboree shirt that's literally the show's album cover on a white t-shirt sold like hotcakes. Figment merch continually sells out and there was that 4 hour line for a POPCORN BUCKET. Disney is sitting on so much money here that I'm shocked they haven't realized.
 

Charlie The Chatbox Ghost

Well-Known Member
To be fair, Elio isn't even out yet (though I do fear it'll be another flop... maybe word of mouth will help it like Elemental).
Audiences just don't seem to like original films, especially original animated sci-fi films. Despite how much we want original stories, the average person just wants more of the same they've already seen because it's a safe pick.
Sugar Rush with electric cars and tons of set pieces really really should have happened...since they clearly are not going to tie Tron into anything....
SugarRush.png

Always love posting my idea! Though looking at this now I think I'd need to add more queue space. Probably just have it wrap around the side into that "extra space" a bit.
And when they do, people trash it. Na'vi River Journey is a very good (I'd say great) C ticket, but people hate it because it isn't a D or E.
I would argue people hate it because it's scenes are very screen heavy, it feels like you're just in a hallway of screens and fake plants, and there's only one animatronic in the whole thing. If the sets felt larger and there were more physical effects, it'd be better received. I mean, they even used screens for a WATERFALL. In the Navi RIVER Journey. Was it really better to project that water running down instead of having actual water?
Cant charge $20 a pop for a dark ride or can they 😉
You can if you make the queue super small and the capacity even smaller! ;)
Don't forget all the shows that have been added over the years would also fall somewhere in the B/C/D ticket grouping.
Larger shows like FNTM and smaller shows like Philhar, Turtle Talk, and the redone CBMJ should be considered.

The list is a little skewed when you're saying that the parks need to add fewer major attractions and focus on smaller things, but then we don't look at things that aren't rides.
CBMJ is an E-Ticket in my heart (Disney used to consider the original CBJ a E-Ticket!), but I'd say it's probably D or C nowadays- not a long wait, decent length (compared to modern rides- you could ride Tron 12 times in a row ignoring wait times in the same time as one viewing of CBMJ), and the technology is impressive but nothing flashy.
Are people arguing for that?

To try and put this thread back on course, I'm of the mind that Stitch Great Escape should have remained open. It was another "C- ticket" that would have further padded out the land. Was it great? No. But it had it's place in the fandom. Unfortunately, Disney felt it wasn't up to their standard and financially beneficial to just shutter it.

Tomorrowland still needs attractions. It needs attractions in existing vacant spaces and it needs improvements. Hopefully, the SGE building will once again be guest-facing and house a "C-ticket" or comparable quality attraction. LLs or otherwise.
I will still die on the hill that the DVC lounge could've and should've been built in the numerous empty spaces in Tomorrowland- SGE and the abandoned sponsor lounge notably. We lost the Shootin' Arcade instead. Not that it was a favorite of mine but it had old school charm, it was free to play, and it was something to do in a park that needs things to do. But hey, now we have a cowboy talking about wayfinding cause... money!
As a stitch fan I hope it’s a success. A few more live action remakes for a Stitch attraction would be worth it IMO.
Fair enough. I think Stitch deserves an attraction without the remake, he's still super popular, but if that's what it takes... maybe the next few will bomb and we'll be free of it AND get a Stitch attraction that hopefully doesn't replace anything.
I agree with you 1000% and would love to see those ideas come to fruition. The problem becomes that people have not exactly been paying to go see original story movies lately. Remakes. Sequels. Horror. Seems to be the current money making themes.
Of all things, the only genre that keeps getting new, original movies is the Horror genre. Probably because it's hard to remake a horror movie- if people have already seen it, the scares aren't as scary. The Comedy genre is all but dead since all Comedy movies are now genre fusions, as if comedy alone can't sell a film.
As to Disney's defense: Franchise films make more money. The public votes on that with their money.

As to Disney's indictment: Disney's live-action studios' films that weren't based on a franchise were generally awful.

As to Disney's defense: they finally stopped making franchise-less bombs by just simply not making franchise-less movies altogether. Disney is letting 20th Century and Searchlight do the heavy lifting now of franchise-less movies.

As to Disney's indictment: Even 20th C. films are sometimes franchised, e.g., Apes and Predator.
Also: Disney thinks they know what the fans want, but that's the issue- you can't go off what the audience wants, you have to TELL them what they want. Audiences as a whole are stupid- they don't know what they love until you give it to them. If they love something already and you keep giving it to them, they won't love it as much as you think they will. You have to keep doing actually new things, investing in new ideas. People had never heard of Stitch before when the film dropped in 2002 and it was a cultural phenomenon that is still beloved today. Meanwhile, in 2025, people already know who Stitch is- they'll see the remake, but the overall reception will not be as beloved as the original, even if the film does better financially. Not a single one of these remakes have been more universally loved than the originals. People might turn out to remakes and sequels more often in the short term, but they love original ideas more in the long term.

Really, though, Disney is doing remakes because it's cheaper- the story, characters, and songs are done, you just have to make a few changes and then film it. If Disney wanted to do originals, they could, and they'd market the hell out of them so people show up to see it. But sequels, remakes, etc. etc. are cheaper to make and have a much larger ROI, even if they're forgotten in a few years unlike the originals which last for decades. Snow White 1937 is more culturally relevant and beloved today than the remake that dropped a few months ago- in fact, the remake is practically already forgotten by most.
Not just them. My fourteen year old daughter inexplicably loves Stitch. I'm not sure if she's even seen Lilo & Stitch.
That's fair! I was moreso thinking of "millenials and moms" in the "people who have their own money to spend" sort of way. I'm sure tons of kids love Stitch, but it's still their parent's money.
I guess I should've also included "Gen Z" in my description since they're adults now- I'm Gen Z myself and I'm close to 30 (and I was BIG into Lilo and Stitch as a kid).
That's genius!
Thanks! I used that idea for my "Ultimate Castle Park" I've been chipping away at, but I think it'd fit a real-life park really well, especially now that the drunken genie has been let out of the alcohol bottle. Might as well add another lounge in the park, if not just to help out Beak & Barrel by spreading the crowds there out.
 

UNCgolf

Well-Known Member
I would argue people hate it because it's scenes are very screen heavy, it feels like you're just in a hallway of screens and fake plants, and there's only one animatronic in the whole thing. If the sets felt larger and there were more physical effects, it'd be better received. I mean, they even used screens for a WATERFALL. In the Navi RIVER Journey. Was it really better to project that water running down instead of having actual water?

I don't think that's the problem -- in fact, I'd argue exactly the opposite.

It has immersive physical sets in a way that Disney doesn't do very often anymore. It doesn't feel like you're in a hallway of screens at all; the fact that it doesn't feel like that is why I like it so much! It feels like you're actually on a river in an alien rainforest -- it's transportive. Disney and Universal have both really struggled to make a ride feel transportive like that in recent years, mainly because of the heavy reliance on screens.

I think it has the best use of screens/projections on almost any Disney ride. I agree it would be nice if the waterfall was real water, but I actually think using screens to put moving animals in the background of the sets makes the ride feel more realistic than if they were mostly static physical animals. It's basically how screens should be used in attractions, as a supplement to immersive physical sets instead of a replacement.

Again, it's a C ticket, not a D or an E. Of course it would be a better attraction if it was on a larger scale, but then it's not a C ticket. I wish Disney would build a D or an E with the same design ethos as NRJ, though, because it would probably be the best ride they've built in decades in Orlando.
 
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Charlie The Chatbox Ghost

Well-Known Member
I don't think that's the problem -- in fact, I'd argue exactly the opposite.

It has immersive physical sets in a way that Disney doesn't do very often anymore. It doesn't feel like you're in a hallway of screens at all; the fact that it doesn't feel like that is why I like it so much! It feels like you're actually on a river in an alien rainforest -- it's transportive. Disney and Universal have both really struggled to make a ride feel transportive like that in recent years, mainly because of the heavy reliance on screens.

I think it has the best use of screens/projections on almost any Disney ride. I agree it would be nice if the waterfall was real water, but I actually think using screens to put moving animals in the background of the sets makes the ride feel more realistic than if they were mostly static physical animals. It's basically how screens should be used in attractions, as a supplement to immersive physical sets instead of a replacement.

Again, it's a C ticket, not a D or an E. Of course it would be a better attraction if it was on a larger scale, but then it's not a C ticket. I wish Disney would build a D or an E with the same design ethos as NRJ, though, because it would probably be the best ride they've built in decades in Orlando.
To each their own! It's always felt like a cramped hallway to me, but maybe it's because I know they're screens and my brain isn't letting itself be immersed. I still think some physical elements on top of the screens would be much better- have the more energetic/moving creatures be screens and the calmer/still ones be physical animatronics.
 

Bocabear

Well-Known Member
I think NRJ looks good enough...really, to me doesn't feel at all like a hallway with screens...It is quite beautiful... The problem is in the show writing... it needs to feel like there is a story there instead of an "ooh sparkly glow-y and pretty" The one animatronic is not enough to be the Wow moment for the finale... Now if she was sitting at the base of a 40' tall Tree Of Life replica from the movie in a giant Finale room, I think it would feel like you have made the Pilgrimage to the tree of life for a celebration...not just encountered one Navi in the woods. Since there are no drops or physical thrills, there needs to be a thrilling moment which should have been a grand finale moment.
 

Agent H

Well-Known Member
I think NRJ looks good enough...really, to me doesn't feel at all like a hallway with screens...It is quite beautiful... The problem is in the show writing... it needs to feel like there is a story there instead of an "ooh sparkly glow-y and pretty" The one animatronic is not enough to be the Wow moment for the finale... Now if she was sitting at the base of a 40' tall Tree Of Life replica from the movie in a giant Finale room, I think it would feel like you have made the Pilgrimage to the tree of life for a celebration...not just encountered one Navi in the woods. Since there are no drops or physical thrills, there needs to be a thrilling moment which should have been a grand finale moment.
I’m confused. Why would the tree of life be on pandora?
 

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