This may be the first of several posts like this, depending on how people react to this thread. It fits more or less into the Imagineer board, and since my S.E.A. Cinematic Universe was accepted, I hope this will be as well.
I wrote a previous reimagining of The Aristocats before, but decided to have another go at it. I am particularly fond of the movie, it has its charms and good music. But, after reading a critical review of the film in the blog “Passport to Dreams Old & New”, it occured to me that the film really has no character arcs, let alone any personal stakes or conflict. It was suggested to improve the story, the time of the movie should change, moving it from 1910 to World War I. So, the idea of “WWI from the p.o.v. of a lost cat family” was quite appealing to me. I wanted to flesh out the characters a bit more, particularly Duchess, O’Malley, and Edgar, who isn’t all that interesting as a villain.
For the sake of brevity, I'll split it into three acts (i.e. three posts).
Act One
Paris, 1917, a war gripped by war, but from a cat’s point of view, it is just a load of noise and human panic.
Duchess is a pampered Turkish Angara cat living in the heart of Paris, owned by Madame Adelaide Boufamille, once a world famous opera singer, now enjoying her golden years. Duchess lives a lifestyle as an “Aristocat”, acting polite, proper, and ladylike, but a little vain and pompous, not associating herself or her three kittens with “common cats”.
Often trying to mirror her master’s example, Duchess acts more human than cat half the time and has forgotten how to properly use her claws. Duchess has three kittens - the confident but brash Toulouse who thinks he must be tough in case he ever runs into alley cats; Marie, who tries to copy her mother’s elegance but has a short temper; and Berlioz, who is quiet but curious and mischeivous. The kittens’ father Marquis had no interest in being a parent, leaving with his master long ago, leaving Duchess with a firm distrust for males. Also serving in Adelaide’s family are the chatty horse Froufrou, and her loyal butler Edgar Balthazar, who has served her for thirty years.
Madame Adelaide reluctantly returns to Paris after an extended holiday in her countryside chateau, summoning her attorney and old friend Georges Hautecourt to discuss her will. Georges is an eccentric old man, a big fan of the motorcars, and makes his usual dramatic entrance into the house, Edgar having to carry the old fool up to Adelaide’s study. After spending the night reliving their youth, the two get down to business, but Adelaide makes an announcement that rocks the whole family: Since she has no living relatives, Adelaide intends on leaving her entire fortune to Duchess and the kittens. This surprises Georges and Edgar, since Adelaide had previously planned to leave her inheritance to Edgar for his loyal service. As Georges leaves, he meets with Edgar, concluding that Adelaide may be going senile.
Not understanding or really interested in Adelaide’s private affairs, Duchess focuses on her kittens’ education, but an attempted lesson at music and painting falls into chaos when the children get into a fight and trash the music room. An enraged Edgar scolds them and storms out, raging to himself about the way things have turned out, deciding on what to do after much moral debating but believes it is in Adelaide’s best interests. Duchess is upset by her kittens’ misbehaviour, ending up consulting the house’s resident mouse Roquefort on what to do. She laments on the lack of a father figure for the children, but Roquefort can do little to advice her, considering himself too small to aid any help. Edgar secretly drugs the cats and spirits them away into the French countryside, hoping to leave them somewhere for adoption.
However, Edgar’s noisy motorbike makes a racket as he passes by a British army outpost, and he is attacked by two guard dogs Napoleon and Lafayette. In the chaos, the basket carrying Duchess and the kittens tumbles out of the bike and lands under a bridge. Edgar alludes the dogs but is unable to find the cats, returning home hoping some farmer finds them. Unfortunately, Adelaide wakes up in the night, finds the cats are gone, and collapses, with only Roquefort to keep an eye on her til Edgar comes home.
I wrote a previous reimagining of The Aristocats before, but decided to have another go at it. I am particularly fond of the movie, it has its charms and good music. But, after reading a critical review of the film in the blog “Passport to Dreams Old & New”, it occured to me that the film really has no character arcs, let alone any personal stakes or conflict. It was suggested to improve the story, the time of the movie should change, moving it from 1910 to World War I. So, the idea of “WWI from the p.o.v. of a lost cat family” was quite appealing to me. I wanted to flesh out the characters a bit more, particularly Duchess, O’Malley, and Edgar, who isn’t all that interesting as a villain.
For the sake of brevity, I'll split it into three acts (i.e. three posts).
Act One
Paris, 1917, a war gripped by war, but from a cat’s point of view, it is just a load of noise and human panic.
Duchess is a pampered Turkish Angara cat living in the heart of Paris, owned by Madame Adelaide Boufamille, once a world famous opera singer, now enjoying her golden years. Duchess lives a lifestyle as an “Aristocat”, acting polite, proper, and ladylike, but a little vain and pompous, not associating herself or her three kittens with “common cats”.
Often trying to mirror her master’s example, Duchess acts more human than cat half the time and has forgotten how to properly use her claws. Duchess has three kittens - the confident but brash Toulouse who thinks he must be tough in case he ever runs into alley cats; Marie, who tries to copy her mother’s elegance but has a short temper; and Berlioz, who is quiet but curious and mischeivous. The kittens’ father Marquis had no interest in being a parent, leaving with his master long ago, leaving Duchess with a firm distrust for males. Also serving in Adelaide’s family are the chatty horse Froufrou, and her loyal butler Edgar Balthazar, who has served her for thirty years.
Madame Adelaide reluctantly returns to Paris after an extended holiday in her countryside chateau, summoning her attorney and old friend Georges Hautecourt to discuss her will. Georges is an eccentric old man, a big fan of the motorcars, and makes his usual dramatic entrance into the house, Edgar having to carry the old fool up to Adelaide’s study. After spending the night reliving their youth, the two get down to business, but Adelaide makes an announcement that rocks the whole family: Since she has no living relatives, Adelaide intends on leaving her entire fortune to Duchess and the kittens. This surprises Georges and Edgar, since Adelaide had previously planned to leave her inheritance to Edgar for his loyal service. As Georges leaves, he meets with Edgar, concluding that Adelaide may be going senile.
Not understanding or really interested in Adelaide’s private affairs, Duchess focuses on her kittens’ education, but an attempted lesson at music and painting falls into chaos when the children get into a fight and trash the music room. An enraged Edgar scolds them and storms out, raging to himself about the way things have turned out, deciding on what to do after much moral debating but believes it is in Adelaide’s best interests. Duchess is upset by her kittens’ misbehaviour, ending up consulting the house’s resident mouse Roquefort on what to do. She laments on the lack of a father figure for the children, but Roquefort can do little to advice her, considering himself too small to aid any help. Edgar secretly drugs the cats and spirits them away into the French countryside, hoping to leave them somewhere for adoption.
However, Edgar’s noisy motorbike makes a racket as he passes by a British army outpost, and he is attacked by two guard dogs Napoleon and Lafayette. In the chaos, the basket carrying Duchess and the kittens tumbles out of the bike and lands under a bridge. Edgar alludes the dogs but is unable to find the cats, returning home hoping some farmer finds them. Unfortunately, Adelaide wakes up in the night, finds the cats are gone, and collapses, with only Roquefort to keep an eye on her til Edgar comes home.