If you don't have it yet, go out and buy your TOMORROWLAND Walt Disney Treasures DVD. It's an EXCELLENT buy, with wonderful (and still relevant!) presentations Walt made that definitely influenced the Space Industry. Also on it is the complete EPCOT film (which goes into the planning of the city), interviews with Marty Sklar, and a lot about the Carousel of Progress (in Walt's philosophy) and hints of Horizons, Living with the Land, and Spaceship Earth.
But today I watched the interview with Ray Bradbury, famous writer and thinker who produced such works as Farenheit 451 and worked on such Disney attractions as Spaceship Earth.
Here are two important excerpts that Mr. Bradbury relates back to Walt Disney and the concept of Disneyland; they explain why the Disney parks are so unique and special:
This is show. This is Disney detail. While we may not invest 100,000 dollars in a spire on Cinderella Castle, we can relate this idea to one of the most recent of what could be a cutback, the lack of motion of the Astro Orbiter and its planets (for over a year) and it effects on the aesthetics and beauty of New Tomorrowland.
The second idea is as follows:
This is the simplicty, the calm, that balances against the faced-paced nature of other attractions. This is why the serenity of the Land (which also has a nice fountain) and freshness of Wonders of Life are necessary breaks and centers from a hustle-bustle world. They are simple, they are profound, they are necessary.
Again, go out and buy this DVD if you haven't already. It's full of optimism, hope, and a hint of the genius of the great Mr. Disney.
But today I watched the interview with Ray Bradbury, famous writer and thinker who produced such works as Farenheit 451 and worked on such Disney attractions as Spaceship Earth.
Here are two important excerpts that Mr. Bradbury relates back to Walt Disney and the concept of Disneyland; they explain why the Disney parks are so unique and special:
Ray Bradbury said:“I came back from Paris one time about ten years ago, went to Disneyland, and I looked at the side of Sleeping Beauty’s Castle, and I called John Hench over at Imagineering, and I said, ‘I noticed something about Sleeping Beauty’s Castle: there’s a spire there that I saw last on top of Notre Dame in Paris! I said, ‘How long’s that been there, on Sleeping Beauty’s Castle?’ He said, ‘20 years.’ I said, ‘Who put it there?’ He said, ‘Walt did.’ And I said, ‘Why?’ ‘Because he loved it.’
I said, ‘Ah! That’s why I love Walt Disney.’ It cost $100,000 to build a spire you didn’t need! That’s the <I>secret</I> of Disney, is doing things you don’t need and doing them well, and then you realize you needed ‘em all along.”’
Leonard Maltin said:“Everything contributes. Everything adds to the whole.”
This is show. This is Disney detail. While we may not invest 100,000 dollars in a spire on Cinderella Castle, we can relate this idea to one of the most recent of what could be a cutback, the lack of motion of the Astro Orbiter and its planets (for over a year) and it effects on the aesthetics and beauty of New Tomorrowland.
The second idea is as follows:
Ray Bradbury said:Because he built Disneyland, because it was full of things we didn’t need but really needed, ‘We don’t need a lot of trees.’ You plant them. ‘We don’t need a lot of benches.’ You put ‘em down. ‘We don’t need a lot of flowers.’ You plant them.
So he built Disneyland as an example of a way of living – not just an entertainment center. You could go there and sit on a bench and people-watch because it’s a happy experience. Why? Because of the flowers, the trees, the fountains, all over and above all of the other elements.
This is the simplicty, the calm, that balances against the faced-paced nature of other attractions. This is why the serenity of the Land (which also has a nice fountain) and freshness of Wonders of Life are necessary breaks and centers from a hustle-bustle world. They are simple, they are profound, they are necessary.
Again, go out and buy this DVD if you haven't already. It's full of optimism, hope, and a hint of the genius of the great Mr. Disney.