I understand the placement of the yeti with respect to building up to a climactic moment, but placing him at the second stopping point (where the train begins to move forward again) would have served the same purpose, instead of that silly projection.
My issue is that this darn animatronic was given so much praise for being so complex and lifelike when it debuted, but it's literally impossible to appreciate 90% of its complexity when whizzing by so quickly, and in darkness. The technology and movement in the old King Kong animatronics from
Kongfrontation at Universal Studios would have been sufficient for the yeti's purposes at it's current placement.
I don't necessarily need to stare at it for 20 seconds, I'm merely suggesting that 2 seconds is not enough. In my opinion, Disney dropped the ball on this one, and basically hid something that could have been really impressive.