The MK was the improved, superior version 2.0 of DL. Including Fantasyland (except for sheer number and variety of rides). But DL has improved over the years, despite vandalisation, whereas the MK has been vandalised, despite improvements.
1983 was a great improvement for DL FL, lifting it up almost to the aesthetic level of the MK. But not quite. It is easy to forget when walking through the modern toontown slash concrete desert FL how pretty the place once was. DL and DLP can only dream of reaching the soaring heights of the MK at its best.
For one, it had trees, and fountains, and lakes, and waterfalls, and more trees and more waterfalls:
View attachment 80381
For another, the colours of the buildings were more subdued. Rendering them more realistic, which better fits the architecture. As cartoon-coloured buildings the the architecture looks boring, becausem, well the buildings are too straight and normal to be cartoony. But as a realistic architecture, FL reaches WS levels of immersion and beauty in many areas.
Which also served the cohesiveness of the MK as a whole, seamlessly blending in FL with the rest of the MK - the MK was not build as toontown, but as a 'realistic' environment, inhabited by humans, not toons. That is how the magic happens: in toontown it is normal that pirate ships fly, but in the human world, to fly over London is a fantasy, a living dream. (Which reminds me I should be doing just that sometime soon)
View attachment 80382
For a third, the subdued colours and more realistic architecture contrasted with the colour explosion of the attraction entrances, the tents. These serve(d) a purpose: they show the visitor where the attractions are! Where the action is, just like these fair tents would've done in real mediaeval towns. For a fair in a mediaeval courtyard is/was the very theme of FL.
But when everything is brightly coloured, the tent colours no longer stand out. The historic placemaking function is lost, as is the function of subtly telling visitors where the action is. Instead, the rides later needed to advertise their placement with massive marquees. Which then further undermines the realistic look and park cohesiveness, diminishes the land's central theme, and which adds more colour to further reduce the separation of coloured and subdued areas in one overarching scheme.
As a result, to the modern visitor, the tents look like remnants of silly, cheap theming.